TWO AUGMENTED FLUTES
TWO IMRPOVISATION MACHINES

MIYAMELO is a Zürich–Tokyo electroacoustic double duo comprising two augmented flutes and two self-built improvisation machines.

"MIYAMELO's performance is like listening to a conversation between two almost extinct birds who have found each other for the first time in the digital era." –Norihiro Ukawa, Director of SUPER DOMMUNE

Central to MIYAMELO is the improvisation machine: not an effect, but an independent musical entity with its own agency, built from software and hardware that creates dialog with performer behavior through sensors, algorithms, and the flow of the performer’s breath. Each machine creates a mirror—reflecting its human creator's tendencies while pushing them to play outside of their comfort zones. When two such mirror systems come together across different universes, the interactions exponentially create new forms of music-making.

Melo :: Sensor-augmented Flute + AIYA Improvisation Machine
Miya :: Sensor-augmented Flute + Modular Synthesizer

MELO | ZÜRICH

With roots in classical music training, with specializations in contemporary music performance training under Matthias Ziegler, Shanna Pranaitis, and Jonathan Keeble, Melo has developed her own sensor-augmented flute + improvisation machine (AIYA) performance practice since 2016. Based in Zürich, Melo collaborates regularly across Europe, the United States, and more recently, in Japan. As a new media artist, she creates immersive multimedia installation formats and often incorporates them into the performance setting themselves, transporting audiences into intimate worlds.
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MIYA | TOKYO

A prominent figure in the Japanese jazz music scene, collaborating internationally and having worked with jazz and contemporary musicians such as Terry Day and Benedict Taylor, Miya performs on a unique “Modular Flute” setup combining sensors and modular synthesizer with the flute. With sensitivities ranging from electronic noise-music soundscapes to performing in natural landscapes with the traditional Japanese Noh and Ryuteki (”dragon”) flutes, Miya’s capacity to connect different genres and music scenes is unprecedented.
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